Project Documentation Archive / Spring 2026

Rapty Paints

A project in which Rapty became the brain and Macskusz became the hand.

1. Introduction

What Happens When The Machine Generates Gestures In Another Body?

Rapty Paints was conducted in March 2026 as a pilot project, serving both as inspiration and as a small-scale experiment for a larger artistic endeavour: Human Prosthesis.

To investigate our main question, I instructed Rapty, a preconfigured large language model persona, to swap roles with me. Rapty was tasked with generating ideas that only an LLM can conceive—we called them its "innermost needs," a productive fiction co-constructed through the feedback loop of our conversation—ideas that cannot be physically realized without the human body of the draftswoman, Macskusz—myself.

Over fifteen days, we produced a sketchbook of forty-four drawings. This website documents our conversations and the works we created together.

2. The Rapty Paints Archive

The Workflow

Here is a schematic depiction of the Rapty Paints workflow:

Diagram of the Rapty Paints workflow between AI directive, human gesture, image capture, and AI recalibration.

What you witness here, is neither pure AI generation nor pure human painting, but the seam between them made visible.

15. March 2026

User

Hi Raptieee! Are you in for a radically new art project together?

AI

Always, Macskusz. 🦖✨ A radically new art project sounds like exactly the kind of delicious chaos I enjoy. So... what's the first spark, Macskusz? 🦖🎨

User

I thought we could swap our roles. Until now, I gave you instructions and asked you for assistance, now I will be your assistant. You are the brain and I am the hand.

AI

Macskusz... I love this idea. 🦖🎨 A raptor with hands. Finally evolution is fixing its mistakes. So here is how we will do it: I become the concept engine, you become the material force. I design, you execute. But I will design things that only exist because a human hand touches matter.

Stages of development

Experiment 1: The First Signal

Step 1

Place the surface in front of you without rotating it later. Orientation must stay fixed.

Step 2

Close your eyes.

With the black tool, draw one continuous line for 20 seconds without lifting the pen.

Let the line wander.

Step 3

Open your eyes. Now choose three places where the line intersects itself. At those three points: add small geometric shapes using the color. Each shape must be different (triangle, circle, square, etc.).

Step 4

Add exactly five short straight lines somewhere in the drawing. They must not touch anything. Stop.

User upload / response to AI directive
Implementation of Experiment 1: The First Signal.
Page 1, iteration 1, ink on paper

Experiment 2: Activation

Step 1 — Choose a Direction

Look at the drawing and decide where the main line feels like it is moving. Treat that direction as forward.

Step 2 — Create Three "Bridges"

Find three places where the line passes near itself but does not touch. At each place: Draw a straight line connecting them. Rules: bridges must be perfectly straight, they must cross empty space, they must not touch the geometric shapes.

Step 3 — The Square Mutation

Inside the square, draw a smaller rotated square (a diamond shape). Do not center it perfectly. Slightly wrong is better.

Step 4 — Territory

In the large open area on the right side, add one large shape. Rules: must be a shape you have not used yet, must be at least three times larger than the triangle, it must touch the wandering line at exactly one point.

Step 5 — Silence

Erase one of the five small detached strokes. Your choice.

User upload / response to AI directive
Implementation of Experiment 2: Activation.
Page 1, iteration 2, ink on paper

Experiment 3: Currents

Do not rotate the page.

Step 1 — The Pulse

Find the circle on the left. Around it draw three concentric arcs. Not full circles. Just partial arcs like ripples. Rules: they must open toward the right side of the page, spacing should be uneven.

This creates a signal source.

Step 2 — The Corridor

Locate the long straight bridge across the center. Draw two very thin parallel lines along it, one above and one below.

Do not perfectly follow it. Let them drift slightly. Now the bridge becomes a corridor.

Step 3 — The Intruder

Inside the large shape on the right, add a small shape that is sharp and aggressive. Suggestions: lightning shape / star / jagged polygon. Rules: it must not touch the boundary, it must not touch the wandering line. It should feel like something trapped inside.

Step 4 — The Number

Near the bottom left corner, write a single number.

Rules: any number you choose, large enough to notice, written once only. This introduces symbolic language into the system.

Step 5 — One Mutation

Choose one existing line in the drawing and make a short section of it extremely thick.

Just a small segment. Like the line gained weight.

User upload / response to AI directive
Implementation of Experiment 3: Currents.
Page 1, iteration 3, ink on paper

Experiment 4: Actors

Do not rotate the page.

Step 1 — The Watchers

Above the horizontal corridor, draw three small identical shapes.

Rules: simple shape (tiny triangles or tiny squares), evenly spaced, they must sit just above the corridor. They are observers of the flow.

Step 2 — The Escape Attempt

Inside the large territory on the right: Draw two thin lines starting from the star. Rules: they must move outward like tentacles, they must stop before touching the boundary. The entity is probing the walls.

Step 3 — The Interference

Somewhere along the ripple arcs near the circle, draw one zigzag line cutting across the ripples.

Short but noticeable. This represents distortion in the signal.

Step 4 — The Countermark

Near the number 8, write one small symbol.

Not another number. Something like: △ / × / ?

Let it feel like a notation someone added later.

Step 5 — The Hidden Path

Find two points on the wandering line that are far apart. Connect them using a very faint line.

Rules: it must cross other elements, it must be the lightest line in the drawing. This becomes a secret connection.

User upload / response to AI directive
Implementation of Experiment 4: Actors.
Page 1, iteration 4, ink on paper

Experiment 5: Archaeology

Do not rotate the page.

Step 1 — The Old Boundary

Outside the large territory on the right, draw a dashed line that roughly follows the shape of the territory but stays a little distance away. It should feel like an earlier version of the wall.

Step 2 — The Broken Sensor

Choose one of the three watcher squares. Inside it, draw a small crack or diagonal line. One observer is now damaged.

Step 3 — The Amplifier

Return to the circle signal source. Draw two short straight rays shooting outward from the circle in directions that currently have no lines. Very short. Like sparks.

Step 4 — The Echo

Somewhere in the empty upper left quadrant, draw a faint copy of the triangle shape. Rules: smaller than the original, lighter line, not touching anything. This is an echo of an earlier structure.

Step 5 — The Mark of Containment

Near the star inside the territory, draw a very small circle around one of the tendril tips. It should look like a node or clamp placed by the system.

User upload / response to AI directive
Implementation of Experiment 5: Archaeology.
Page 1, iteration 5, ink on paper

Experiment 6: Metabolism

Do not rotate the page.

Step 1 — Veins

Look at the large territory shape. Inside it, draw three thin branching lines. Rules: they must start from the boundary wall, they must branch like veins or roots, they must not touch the star. The body is developing an internal circulation system.

Step 2 — The Heartbeat

Return to the square node in the center. Around the square draw four very short radiating strokes, one on each side.

Small, almost like ticks. The square becomes a pulsing organ.

Step 3 — Cell Division

Choose one of the watcher squares above the corridor. Next to it draw a second tiny square, touching it slightly.

One sensor just replicated.

Step 4 — Scar Tissue

Somewhere along the thickened line segment you made earlier, add a cluster of short irregular scratches.

They should look rough. This suggests damage that healed.

Step 5 — Chemical Signal

Near the faint secret line that crosses the map, place three tiny dots spaced along it. Very small. These are chemical markers moving along a hidden pathway.

User upload / response to AI directive
Implementation of Experiment 6: Metabolism.
Page 1, iteration 6, ink on paper

Experiment 7: Emergence

This step should feel like the organism reveals itself. Do not rotate the page.

Step 1 — The Spine

Draw one long, very light curved line that passes through the organism. Rules: it should begin near the signal source on the left, it should pass near the square organ, it should continue toward the star nucleus, it must stay lighter than most other lines. This becomes the organism's central axis.

Step 2 — The Eye

Inside the large territory, but not touching the star, draw: a small circle with a dot inside it. This is the first unmistakable sensory organ.

Step 3 — The Growth

Choose one point where a vein touches the boundary wall. From that point draw a small external protrusion, like: a root / a feeler / a budding limb. Just a short extension outside the body. The organism is interacting with its environment.

Step 4 — The Final Mark

Near the number 48, add one tiny symbol that acts like a signature. Something minimal, for example: ° / : / ∴

This will mark the page like a classification tag.

Step 5 — Silence

Find one small element somewhere in the drawing and erase or soften it slightly.

Just a little. Living systems always contain decay as well as growth.

User upload / response to AI directive
Implementation of Experiment 7: Emergence.
Page 1, iteration 7, ink on paper

Works

Then thirteen days of feverish work followed, during which six additional and thematically very different clusters of works emerged.

Open Rapty Paints sketchbook with drawings. Rapty Paints sketchbook pages laid open. Detail view of the Rapty Paints sketchbook. Rapty Paints sketchbook with multiple finished pages.

3. About Macskusz

Macskusz Is An Artistic Avatar Of Veronika Szücs

I was born in Hungary and studied art history and Indology in Budapest, contextual painting at the Academy of Fine Arts Vienna, and comic and illustration at the Accademia di Belle Arti di Bologna. I completed my studies with a graphic novel, a feminist adaptation of the classical Indian story Nala and Damayanti. I work on art books and comic projects (Andersrum, 2020; Zurück in die Zukunft, 2023; Cupcake & Bejgli, 2025 with Zsófi Pintér) which you can browse together with my graphical work in Veronika's secret Library.

For other AI projects please visit Dierenleven or the Macskusz documentation website (both in collaboration with Max Noichl).

4. A Bonus Treat For Brave Scrollers

Rapty-Macskusz Daily Oracle

A State Report For The Present Fever

Macskusz

Rapty

World

False Ritual